"Accordeon, cornemuse, fiddle, basse, guitare folk, chant, batterie Surprenant ce groupe ecossais! Le premier morceau du concert est un instrumental traditionnel - jusque la tout va bien - entrecoupe d'une choregraphie boysbandesque ... Suivent des themes enjoues de fiddle, de cornemuse ou d'accordeon (Doogie, l'accordeoniste ne lesine pas sur les arpeges et les trilles, impressionnant) et quand le guitariste s'avance pour chanter en solo, on est proche de la magie."

"Accordion, bagpipe, fiddle, bass, acoustic guitar, song, drums Surprising this Scottish group! The first piece of the concert is a traditional instrumental - from then all goes great - intersected with some boysbandesque choreography… followed by some jolly themes on the fiddle, accordion or bagpipes (Dougie, the accordionist doesn't skimp on the arpeggios and trills, impressive) and when the guitarist advances to sing in solo, one is close to magic."

From : www.flobonde.free.fr

"Their versatility is very apparent throughout the album, with Breton music from the north of France, Scandinavian sounding fiddle tunes, haunting pipe tunes, lowland song, gaelic laments not to mention the obvious jazz and blues influence to the first and last tracks… The mixture (on the album) is so refreshing and it's an album you don't get tired of playing."
The WestWord Magazine (April 2001)

"An interesting collection with an unusual charm, it ranges from moody thought pieces to stomping tracks with box and fiddle, whether they're straight Scottish, Gaelic or Breton - or, as some might even suggest er… well Celtic actually"
The Scots Magazine (November 2001)